(9): Hausa Film: Compatible or Incompatible with Islam and the Hausa Culture?
Muhammad Muhsin Ibrahim Bayero University, Kano @muhsin234 INTRODUCTION The world can no longer escape being ‘exposed’ through the media—print and non-print. It is no longer what it used to be. Globalization, now at its peak, is tied with media like a computer to its screen. Hence wars are fought through the media; election campaigns conducted there; products advertised; and there is virtually no place uncovered by the media. Films, as vital machinery used by the media, are accorded with ample efficacy, for via this much propaganda—for good or bad—of the so-called world superpowers were said to have, and are still being, sold to, and devoured by, people. This is possible for, almost everybody can understand the language of film and its universal appeal; film is endowed with the communicative power that can mobilize people to frenzy or lull them with dreams and illusions. This is very evident especially in Hausa-land where both its teeming youth and elderly so much used