Skip to main content

(21): We are Individuals; they are also Individuals (I)

My stay in India aged one today. My wife and I live contentedly, and our studies go well—praise be to Allah. I have shared many of my experiences over the past year in my write-ups. Another fresh expertise, nonetheless, prompted this short piece: an ongoing 3-week workshop on film, TV, and theatre acting, choreography, and cinematography at the beautiful, hilly, artists’ hub of Andretta in Palampur, Himachal Pradesh (HP). There are about 50 attendees from three central states—the host, i.e., HP, Punjab, and Haryana. I am the only non-Indian, so imagine the feeling. I have met some people who have reshaped the year-old views I held on India and Indians; hence the novelty of the experience.

Our trip to HP was exhilarating, for the state is well known for its remarkable atmosphere and tourist attractions. So we were all enthusiastic the first day we heard about the workshop. The anxiety multiplied when I googled the venue's name: Andretta. I read that the legendary Norah Richard, S. Sobha Singh, and other renowned artists once lived there. Much is also said about the serenity, scenery and soppy nature of Andretta. I can go on and on, but the scope of this piece is limited to two things: first, it exposes to me the gaffe in generalisation; and, second, the people I have met on the campus of the workshop, particularly one sonorous, 19-year-old girl named Veena (not a real name) who hails from Shimla, HP. She is a sophomore majoring in Mass Communication and Multimedia.

I met Veena and another girl a few minutes after we arrived. However, much later, more boys and girls came. Some of them, from Chandigarh, Punjab, have a fellow Nigerian coursemate named Michael, but the way most, if not all, of them relate to me tells a somewhat different story, as if I were the first Black man they had ever seen. I get, from almost all the rest, far more stares and, in a way, a funnier reception. But this is not the first time I have found myself in this unique position, for I am also the only non-Indian in my class. It also does not translate to any racist or condescending, though it’s sort of a quaint, attitude towards me.

 I often associate two ‘disapproving’ facts with many Indians, especially the northerners among whom I live. One is that they live in a box with little or no knowledge of the world outside their country. Two, many of them understand little or no English. All these and more ‘incredibilities’ were as a result of numerous contacts and encounters I have had with them. For instance, I once had an astounding discussion with a faculty member in our university, Dr Singh (not a real name), who erroneously thought Nigeria was part of Saudi Arabia because I was a Nigerian and Muslim. To him, Muslims are only in Pakistan (however, some remain in India and Bangladesh) or Saudi Arabia. Second, most of the faculty and students speak only broken English, while many others can’t even manage that. But this amazing girl speaks fluently and eloquently. She was, however, apparently born with a silver spoon, which gives her access to the best education money can buy. That, nevertheless, does not guarantee conception and perception, for many others have the same access to those prestigious schools but lack the exposure, experience, and cosmopolitanism she possesses. Veena knows and speaks about Kafka, Albert Camus, Existentialism, Deism, Africa and the many countries on the continent, and much more. I learned a big lesson here; although the latter is old enough to be her father, she’s far more informed than he is.

She, much unlike many others, especially the girls, knows of other human races like me. She, equally, though, got startled at my being Muhammad, obviously a subscriber to that ‘detested’ religion called Islam. She’s in fact, spiritually speaking, incredulous, albeit she bears a Hindu name. Veena is so astonishing to the extent I wish this generation of Indians are like her; there would not have been reports on racism and related crimes. Indians would not have been regarded, at best, as incongruously incredible and, at worst, comical in many respects and instances.

We are individuals. The same could be true of some less informed Nigerians: although everyone undoubtedly knows about India, at least for the popularity of Bollywood films, not everyone actually knows about other countries like Bhutan, the Maldives, and Nepal that border it. Not again, everybody knows of Sikhism or Jainism as religions practised by millions in India (and by mostly Indians in other parts of the world). We are, indeed, individuals. No one has a monopoly on knowledge. There could be as many uninformed Indians as there are in Nigeria. There are many Veenas and Dr Singhs everywhere. I learn to respect individualism the more, and to generalise the least.

 Muhammad Muhsin Ibrahim
 1:11PM; 12/06/2014

Comments

Popular posts from this blog

(143): On Connection Regrets: My Excruciating Experience

On Connection Regrets: My Excruciating Experience   By Muhsin Ibrahim Khadija, nicknamed Kashe-Kala, who I ‘re-nicknamed’ KKK, was one of my dearest classmates during our undergrad at Bayero University, Kano. Honestly, KKK, a sickle cell patient, was pretty, posh, and from a wealthy family. Hence that sobriquet. So, admittedly, I believed she was out of my league. However, we became so close. Despite our closeness, we disagreed pretty often. About a year after graduation, I met the woman I would later marry. The day I told KKK about my newfound love, she jokingly bragged that I chose this girlfriend because she’s her namesake: Khadija. On hearing this, some friends thought she loved me. It’s not true; our relationship was platonic. I had visited KKK’s house countless times. I barely missed seeing her at the hospital. Her relatives know me. I can’t forget the day I was riding my motorbike to their house when I stopped by the roadside to answer her call. From nowhere, someone s...

(128): Gidan Badamasi: A Short Review of the Hausa Sitcom

Gidan Badamasi : A Short Review of the Hausa Sitcom   Premiered in 2019, the defining criterion for the popular sitcom, Gidan Badamasi , is comedy. However, it tells much more such as several socio-moral lessons. That is not a surprise as Kannywood, the film industry whose members wrote, produced, directed and acted in Gidan Badamasi , are known for promoting such causes. An oft-repeated raison dêtre of Kannywood, some of its members argue, is to teach morality, promote Hausa culture and Islam, among other related goals. Whether or not they do that is debatable and, of course, outside the scope of this short review. The title, Gidan Badamasi [ Badamasi’s House ], implies where the drama takes place – the house of Alhaji Badamasi. He is a wealthy, wheelchair-bound businessman who had multiple marriages from which he got several children. As he ages, becomes more frail and sickly, he asks most of them – he doesn’t know all of them – to come for a crucial meeting. After their ar...

(168): Top 7 Kannywood series of 2023

By  Muhsin Ibrahim & Habibu Ma’aruf muhsin2008@gmail.com As 2023 draws to a close, the closure of Kano Filmhouse Cinema is one of Kannywood’s most regrettable events in the outgoing year. Consequently, there was a significant decline in the number of cinematic releases. Nevertheless, amid this setback, a silver lining emerged as it spurred a notable shift towards series films, with prominent producers and directors venturing into the evolving market. From  Labarina ,  Alaqa , and  Manyan Mata  to  Fatake ,  Amaryar TikTok  and  Gidan Sarauta , Kannywood’s audience has been captivated by numerous enthralling TV and web series. While the series market faces criticism for potentially fostering second-rate productions, the following list highlights the best seven series films aired in the year. Please note that the numbering is not hierarchical in nature.  1. Labarina Labarina  stands out as a household name among Hausa film enthusi...