Skip to main content

(22): We are Individuals; they are also Individuals (II)

We are, yes, individuals. But we are, sometimes, stupid individuals. Perhaps I and you are among the latter group; who knows? Forgive the affront and don’t take any offence. None is really intended. It’s baffling, to say the least, what we humans sometimes do with our lives. I strongly believe that we all are endowed with one or another intellect with which we use to lead our soul and body towards some mental gratifications such as to eat food and drink to quench our hunger and thirst; wear clothes to cover our nudity; communication ability to express feelings and wants; etc. But yet, we tend to do other things so glaringly self-destructive for no constructive reason whatsoever in the name of fashion, passion and thingamajig. I am not moralizing or sensationalizing anything, for that is, or can be, relative and subjective; I am rather rationalizing them. Often it happens, we utter: to each his own. I shake head at this pomposity and respond: to each his ruin.

It was only a few days ago in the prequel to this piece I extolled one baby-faced teen girl named Veena as the “most intelligent girl I have so far come across since my first day in India a year ago”. She of course is, but she’s equally the wildest, the least cautious and highly heedless girl I have met. Never in my life have I known any girl of her age who smokes. Yes, she smokes cigarette. This is, at best, pathetic and, at worse, pathology! I think you must accept my words in the above paragraph, for I can’t help but wonder where the intelligence, the conscience and the foresight she supposedly possesses are. A simple question: why does she smoke? Give me a single medically proven benefit of smoking and I will start it today. Smoking is incontrovertibly deadly and is morally, socially (and religiously too) an aberration. But why? I can’t understand. Veena gets her life all before her, yet she intentionally sets out to destroy it herself. A quick inquest, however, reveals to me that many other Indian girls in urban areas are taking up the same habit. The liberty guarantees to us in this 21st century does not mean permission to commit a slow suicide. 

Nonetheless, as the saying goes, we are the architects of our lives, un-fatalistically speaking. And I say: we are the drivers of our lives, whereupon the control of, say, the car could sometimes get out of our hands. So we are always given instructions and guide for a safe drive. Thus, one instruction says: don’t drive recklessly as “fast drive maybe your last drive”. It’s the same with smoking. It’s enshrined in its international marketing regulations that a warning: “tobacco kills” has to be boldly written on its package, sometimes along with a pellucid picture of a damaged lung. It is up to its consumers to believe or not.

On other developments; first, I have met another Indian who yet again reshaped my view. His name is Gurnoor, a 25-year-old Indian navy. He so much knows about, and likes, Africa especially the western region where their marine ship navigates on its coastal ports. Moreover, he told me that their Chief Officer was born in Kano, my state, in Nigeria. I literally felt euphoric. Second, among the attendees of our workshop there is a Muslim girl named Anam Kazi. But one can’t figure out anything ‘Islamic’ in her. I only got to know that sometime I finished prayers (sallah/namaz) beside her and she asked: “Are you Mohammedan?” I answered in affirmative and added that I am Muslim, correcting her usage of the misnomer. My being called Muhammad by everyone didn’t ring a bell to her that I was Muslim until that day. Thus, I had to quiz her to verify her claim that she’s also “Mohammedan”. Individualism is multifaceted.

Why would I care about all the aforesaid? You might have asked. I am not a saint, nor a pious. But I only often try my best possible to dispassionately look at things, proffer a particular analysis and express my opinion. I may be right or wrong as any other human being. We are taught in Islam to correct wrongdoing in any of these three ways: (i) by hands (instituted authorities do that); (ii) by words of mouth (which I do) and, (iii) or to feel sad about it, which is the weakest of the trio options (I also do that). This is the main motivation behind this and similar write-ups. I can’t do more than that. Veena's life, for instance, is her’s and her’s alone. We may never meet again as the workshop was completed; but I know for sure that she can hardly forget me or my words. That’s why I stake our friendship, which I, in fact, think I overvalue right from the beginning.

Anyway, I will accept any correction; likewise any constructive criticism or censure on whatever I say on this blog. Always.

Comments

Popular posts from this blog

(168): Top 7 Kannywood series of 2023

By  Muhsin Ibrahim & Habibu Ma’aruf muhsin2008@gmail.com As 2023 draws to a close, the closure of Kano Filmhouse Cinema is one of Kannywood’s most regrettable events in the outgoing year. Consequently, there was a significant decline in the number of cinematic releases. Nevertheless, amid this setback, a silver lining emerged as it spurred a notable shift towards series films, with prominent producers and directors venturing into the evolving market. From  Labarina ,  Alaqa , and  Manyan Mata  to  Fatake ,  Amaryar Tiktok  and  Gidan Sarauta , Kannywood’s audience has been captivated by numerous enthralling TV and web series. While the series market faces criticism for potentially fostering second-rate productions, the following list highlights the best seven series films aired in the year. Please note that the numbering is not hierarchical.  1. Labarina Labarina  stands out as a household name among Hausa film enthusiasts. Despite premiering in 2020, this show’s latest seasons con

(113): Kwana Casa’in: A Short Review

Kwana Casa’in : A Short Review If posh locations, number of cast and crew members, sophisticated camera, etc. are enough indicators for the budget size of a production, then Kwana Casa’in [90 Days], produced by Arewa 24 channel, is doubtlessly an expensive soap opera. Directed by Salisu T. Balarabe, the drama is arguably the best of its kind in the Hausa language. Being funded by foreign, non-profit, non-political bodies, including the MacArthur Foundation, Kwana Casa’in stands out as a socio-political critique of our people and governments. It unmistakably aims to provoke reflection and introspection and to spark conversation and action within and outside the corridors of power. Is it able to achieve that? Set in a fictional town called Alfawa, the drama begins at the peak of governorship electioneering. The current governor, Bawa Maikada (acted by Sani Mu’azu), is highly corrupt and desperate to win re-election in spite of doing very little for the people. The health sec

(123): Kannywood Movie Review: Mati a Zazzau

Director :         Yaseen Auwal Producer :       Rahama Sadau & Sadiq Sani Sadiq Language :      Hausa Year :               2020 Company :      Sadau Pictures and Asmasan Pictures Cast:             Sadiq Sani Sadiq, Tahir I. Tahir, Rabi’u Rikadawa, Adam A. Zango, Rahama Sadau, Hadiza Blell, Umar Gombe, etc. So far, only very few successful titles in Kannywood have become a franchise. Besides Adam A. Zango’s Basaja , I can only mention Yaseen Auwal’s Mati character. While the former deals with financial rickety in an urban, techno-scientific setting, the latter is a social drama in a rural setting in the past. The chronicle of Mati began with Wani Gari , then Mati da Lado and now Mati a Zazzau . Had the filmmaker foreseen where the film could go, I guess the first of the series would have “Mati” in its title. The character has become a commodity as he acts in short films, and others imitate him elsewhere. At the risk of jumping the gun, I can confirm that Mati a